Jacoby, Susan. Moscow Conversations. New York: Coward, McCann & Geoghegan, 1972.
"Moscow is one of the easiest places in the world for a journalist to become dishonest with himself and his readers." 15
"Dishonesty becomes a part of journalism in Moscow when correspondents fail to tell their readers about these inhibitions and the profound effect they have on a reporter's perceptions of Russian life. The reluctance of the Moscow press corps to write about its working conditions is less a conspiracy of silence than a product of frustrated resignations; an abnormal situation begins to seem quite normal after only a few months of life in Russia." 15
"Foreign correspondents do not travel as much as they would like to, partly because editors at home demand a steady flow of political news from the capital and partly because each trip involves endless bureacratic snags. A correspondent must obtain special permission from the press departmente of the Soveit Foreign Ministry if he wishes to travel outside a twenty-five mile radius of Moscow and even for some points inside the circle" 19
"THe dissenters are a small, diverse collection of people who disagree strongly on long-range goals for Russia; their main area of agreement is their determination to make the Soviet authorities observe their own laws. Their chief activity is publicizing official actions against other dissenters; they view the publicity as an important guarantee that no one will quietly disappear into prison or exile, as in the Stalin years. The dissenters naturally need foreign journalists to transmit the news of their activities to the outside world. Stories about Soviet political dissent published in foreign newspapers ensure that many Russians also hear the news." 22-23
"Some journalists are happy to consider dissidents friends as well as news sources; relationships with dissenters involve somewhat less strain and prestense than relationships with ther Russians. The skepticism about absolute truth that is characteristic of most truly educated minds in the west is completely foreign to the majority of Russians; only with a few of the dissidents did I find a common approach to intellectual questions that had nothing to do with politics." 23
"Khrushchev abolished formal censorship of correspondents outgoing news dispatches in 1961. Foreign journalists are now free to transmit their articles by telephone, Telex or cable without prior approval of a Soviet official. The authorities now attempt to censor news dispatches indirectly, through post-publication earnings, KGB harassment and the ultimate sanction of expulsion from the country. Officials in the press deparment in Soviet embassies throughout the world read articles that appear in newspapers and magazines with Moscow correspondents. If an article is both highly important and abrasive, a correspondent may receive an officialwarning from the press department in Moscow within two or three days of publication." 23
"Soviet officials are clearly furious about being unable to prevent contacts between foreign correspondents and political dissidents. The press department has established a pattern of harrassing and trying to get rid of correspondents who see dissidents frequently." 23
"Four foreign journalists were expelled from the Soviet Union during 1970; three of them had been particularly active in gathering news about political dissent and relaying it to other correspondents. Because it is difficult to arrange meetings and also because only the most urgent news is relayed over tapped phone lines, it is impractical for every correspondent to track down rach piece of dissident news himself. One or two correspondents usually meet with a dissenter and pass the news on to the rest of the Moscow press corps. Unfortunately, many spineless Moscow correspondents are only too happy to acquire the news of political dissent from their colleagues but are unwilling to incur official displeasure by meeting dissidents themselves." 23-24
26-most of the sources are intellectuals
"The reluctance to talk about Stalin today is deep and wide-spread, even amonf people who recognize the dimensions of spread, even among people who recognize the dimensions of the tragedy that befell their country under his dictatorship. Admissions of Stalin's evil, which meant the death and imprisonment of millions of Russians are not forthcoming from most Soviet citizens who grew up during that period. To acknowledge the full extent of the tragedy would be to admit complicity in horrors too great for most people even to think about: The refusal of many middle-aged Germans to admit they knew about the Nazi concentration camps is a similar reaction." 42
"Stalin was never fully toppled from his pedestal, even when Khrushchev's de-Stalinization campaign was at its height. Too many officials still in power had been the executors of Stalin's policies; indeed, many Western analysts believe Khrushchev's seriousness about de-Stalinization was the major gavtor that led to his loss of support within the Party Central Committee. After Khrushchev's partial cleansing operation, the new Brezhnev-Kosygin leadership said in effect, 'Enough is enough,' and clamped hte lid back on the sewer. " 42
"I never met a student in any part of the Societ Union who did not listen to the VOA. Although reception is hampered by jamming, Russians patiently persevere. For obvious reasons, English language broadcasts are interfered with less than Russian language runs. Many students also listened to the BBC, saying they preferred its news broadcasts because the reports were less slanted by American government propaganda. (I prefereed the BBC for the same reason in Moscow.) The student consensus, however, was that the VOA offered better music than the BBC." 94
"The girls said they did not believe everything in Soviet newspapers 'any more than you believe everything in yours.' Tanya's favorite paper was Komsomolskaya pravda, the organ of the Komsomol Central Committee.
Oskar Rabin- Unofficial painter
on Hope against Hope: "He felt that one of its greatest strengths was its recognition that what happened under Stalin was not a passing aberration--the product of one man's insanity--but a national sickness that permitted the Stalinist terrror to develop and may appear in mutant forms for generations to come." 171
"Realism is a word that loses its meaning in such an ideological context. If a painter chooses to depict a shabby apartment or a drunk, he is being a "critical realist" rather a Socialist realist, and the authorities frown on critical realism. In the Soviet Union, realism refers to reality as Soviet ideologues think it should be--not to a reality that an individual artist might perceive." 173
"Soviet papers--like books, magazines, canned food labels and every other form of printed material--are subject to official censorship. The existence of censorship does not, however, mean that every statement in every newspaper represent the official policy of the Soviet government. Pravda, the organ of the Party Central Committee, and to a slightly lesser extent Ivestia, the government newspaper, are forums for top-level statements on foreign and domestic policy. To use a favorite phrase of Stalin's, 'it is not by accident' that articles appear in Pravda and Ivestia. Columns by important political commentators sometimes reflect the official government position on important matters." 213
"Ideas for articles are initiated by party authorities, editors, reporters, outside specialists and sometimes by readers. Letters-to-the-editor columns are extremely important in Soviet newspapers; they provide what is essentially the only public forum for complaints about the way various institutions are run." 216
"Government offices often take percautions to prevent their typewriters from being stolen or used for nefarious purposes. At Vera's newspaper, every typewriter had to be locked away before the staff went home at night."234
Dmitri-college student
"At the same time all of this was rumbling around in my head, One Day came out. I thought things might have changed enough so there was actually a possibility of publishing honest writing." 237
"Dmitri's attitude toward the official writers is, quite simply that they are prostitutes. It is an attitude shared by all committted samizdatchiki and political dissidents." 242
Showing posts with label Post-Stalin. Show all posts
Showing posts with label Post-Stalin. Show all posts
Wednesday, January 11, 2012
Tuesday, November 8, 2011
Shatz, The Sinyavsky-Daniel trial and its aftermath: legal tactics and organizational efforts
"Signs of 're-Stalinization' had been appearing since the removal of Khrushchev from power in the autumn of 1964. Public references to the STalin era were beginning to play down the negative sides-the purges, te executions, the camps-and to stress he more favorabl e aspects, such as the heroic efforts of the first Five Years Plans and the war years. Stalin's role as war leader, which Khrushchev had criticized with particularly harshness was partially refurbished and articles extolling the victims of Stalin's purges began to disappear from the press. Finally, early in 1966, Pravda printed a statement ruling out further use of 'period of the cult of personality.'" (Shatz, 118)
"The embarrassing problem facing the prosecution was the two writers had not in fact committed an illegal act. There was no law on the Soviet statute books prohibiting an author from sending manuscripts abroad for publication." (Shatz, 119)
"Complaints came from many quarters that legality had not been observed in the treatment of Siniavskay and Daniel: the charge against them was false; the standards of evidence and trial procedure had been deplorable; the trial was not truly open to the public as required by law; and the reports in the press had been scanty and grossly biased against the defendents.")120
"In making this demand, the critics and protestors were calling for the redemption of one of the promises Khrushchev had made in his 1956 speech. Agter detailing the arrrests and executions of the STalin period, Khrushchev had assured his audience that 'socialist legality' woudl be restored and violations of it no longer tolerated.'" 120
"The Soviet legal system is under considerable pressure to apply Party policy, that is, to respond to political considerations, in the determination of individual cases."
"Complaints came from many quarters that legality had not been observed in the treatment of Siniavskay and Daniel: the charge against them was false; the standards of evidence and trial procedure had been deplorable; the trial was not truly open to the public as required by law; and the reports in the press had been scanty and grossly biased against the defendents.")120
"In making this demand, the critics and protestors were calling for the redemption of one of the promises Khrushchev had made in his 1956 speech. Agter detailing the arrrests and executions of the STalin period, Khrushchev had assured his audience that 'socialist legality' woudl be restored and violations of it no longer tolerated.'" 120
"The Soviet legal system is under considerable pressure to apply Party policy, that is, to respond to political considerations, in the determination of individual cases."
Article 70
"They were accused of slandering the Soviet government and people, of slandering Lenin and of enabling some WEstern commentators to use their works for anti-Soviet purposes-hardly the 'especially dangerous crimes against the state' referred to in the law code." (Shatz, 119)-airing dirty laundry
"By putting the writers on trial, the authorities tacitly confirmed the political significance of literature and validated the role of the writer as a social critic. LIterature is recognized by the Soviet government as such a powerful force that it insists on monopolizing it for its own purposes punishing any use of it for unauthorized sentiments-writers, after all, are 'engineers of human souls.'" (Shatz, 120)
"The management of the trial reflected the government's general policy toward the issue of Stalinism in the wake of Khrushchev's departure from office. On the one hand, it wished to impose greater restrictions on criticism of the Stalinist past, with its inescapable implication of criticism of the post-Stalin present; on the other hand, it showed no desire to revert to the outright terrorism of the previous era. Therefore it sought to manipulate the courts and the legal system, giving a veneer of legality to the curtailment of political self-expression. The result was a glaring infringement of legal due process; it shocked many Soviet citizens who felt they had been assured by the Party that such travesties of justice were a thing of the Stalinist past and would not be permitted to recur. This was the main issue on which the various currents of dissent now concentrated." (Shatz, 121)
"The wave of indignation elicited by the Sinyavsky-Daniel trial advanced two major themes. First, putting writers on trial for the content of their fiction struck many observers as an absurd and shocking violation of the sanctity of literature." (Shatz, 121-122)
"The second major theme which gave Soviet dissent a new dimension, was a demand for dure process of law....Many of those who voiced such complaints stated that they disagreed with the writers' views or with the methods they had used to publish them. Nevertheless, they felt compelled to protest against the abitrariness and unfairness with which teh case had been handled. There were no public complaints about te laws themselves, or about the judicial process or the legal system in general; it was assumed that the law was just but had not been properly applied. The critics therefore demanded that the trial be reviewed and the writers acquitted (because they had obviously not violated the laws under which they have been tried) or at least that their very hard sentsences be reduced" (Shatz, 122)
-first it was petitions
then (Again younger generation)
"At the same time, some younger individuals decided to adopt bolder though still technically legal, forms of protest. Even before the trial itseld, on December 6, 1965, Soviet Constitution Day, some 200 students from the Gorky Institute of World Literature, where Siniavsky worked, had staged a rally in Moscow's Pushkin Square to demand a fair and open trial for the two writers. (This began something of an annual tradition: silent demonstrations in behalf of dissidents hae been held at the same spot on the same day in subsequent years.) THe rally was he first public protest Moscow had seen since the 1920s. (Shatz, 123)
124: trial documents, you're working against us (Socialist realism?)
"THe trials of 1967 and 1968, like the Siniavsky-Daniel trial, generated a series of petitions and open letters to the authorities protesting these new violations of due process and calling for review of the conviction and sentences." (Shatz, 126)
Ginzburg protest-126
"The most conspicuous effort in behalf of freedom of expression-and in retrospect, the highwater mark of the tide of dissent in the late sixties, at least in terms of public assertiveness-was the demonstration in Moscow's Red Square on August 25, 1968...The word 'demonstration' somewhat magnifies what actually occured: seven individuals gathered at noon at the ancient Execution Place in Red Square and unfurled a few hand-letered banners protesting the invasion." (shatz, 127)
"What was so unique about this event was that , for the first time in the history of Soviet dissent, the demonstrators were not protesting a specific case of injustice in the Soviet Union or even an issue that directly concerned them (although in the crushing of the Czech experiment in 'democratic socialism' they percieved a real threat to their aspirations for their own country). The demonstrations in Red Square was purely an act of civic duty and inficidual conscience. This is amply confirmed by the statements of the defendants at their subsequent trial."
Larisa Bogoraz" "I was faced by the choice of protesting or staying silent. Staying silent would have meant for me sharing in the general approbal of actions which I did not approve. STaying silent would have meant lying." - just like Lie essay (Shatz, 129)
128-this trial is how the W. discovers samizdat
Birth of the Chronicle
"Some kind of permanent cohesive organization was essential in order to mount a sustained campaign for civil liberties instead of merely responding to the government's acts of repression; it was also essential if such a campaign were to survive the arrest of individual dissidents by the police. With an organizational base, the scattered and highly vulnerable individuals and circles that had emerged in the late sixties might be able to transform their expression of criticism and protest into a real "movement" on behalf of civil liberties." (Shaztz, 131)
"One of the first, and most successful, of these organizing efforts was A Chronicle of Current Events....A number of other underground journals have made their appearance in the last two decades, some of a literary nature and others devoted to political and social themes. Like the intelligentsia's 'thick journals' of the nineteenth century, they have served as behicles for the expression of a variety of nonconformist ideas, though most of these publications have been of brief duration. The Chronicle was the first one devoted exclusively to dissent itself." (Shatz, 131)
"More broadly, the rise of autonomous public associations represents a new stage of political consciousness on the part of at least some Soviet dissidents. Post-Stalin dissent in its initial phas was limited to moral appeals to the authorities for more humane treatment, and in its seconde phase to peitions and protests against violations of Soviet law and judicial procedure. It did not challenge the authorities' right to rule, nor did it question their legitimacy or demand that they be held accountable for their actions except in a moral sense. But the attempt to create citizens' organizations independent of the Party and state represents a significant break with the paternalistic principle of authority comparable to that achieved by the early intelligentsia at the end of the eighteenth and beginning of the nineteenth century." (Shatz, 135)
"By putting the writers on trial, the authorities tacitly confirmed the political significance of literature and validated the role of the writer as a social critic. LIterature is recognized by the Soviet government as such a powerful force that it insists on monopolizing it for its own purposes punishing any use of it for unauthorized sentiments-writers, after all, are 'engineers of human souls.'" (Shatz, 120)
"The management of the trial reflected the government's general policy toward the issue of Stalinism in the wake of Khrushchev's departure from office. On the one hand, it wished to impose greater restrictions on criticism of the Stalinist past, with its inescapable implication of criticism of the post-Stalin present; on the other hand, it showed no desire to revert to the outright terrorism of the previous era. Therefore it sought to manipulate the courts and the legal system, giving a veneer of legality to the curtailment of political self-expression. The result was a glaring infringement of legal due process; it shocked many Soviet citizens who felt they had been assured by the Party that such travesties of justice were a thing of the Stalinist past and would not be permitted to recur. This was the main issue on which the various currents of dissent now concentrated." (Shatz, 121)
"The wave of indignation elicited by the Sinyavsky-Daniel trial advanced two major themes. First, putting writers on trial for the content of their fiction struck many observers as an absurd and shocking violation of the sanctity of literature." (Shatz, 121-122)
"The second major theme which gave Soviet dissent a new dimension, was a demand for dure process of law....Many of those who voiced such complaints stated that they disagreed with the writers' views or with the methods they had used to publish them. Nevertheless, they felt compelled to protest against the abitrariness and unfairness with which teh case had been handled. There were no public complaints about te laws themselves, or about the judicial process or the legal system in general; it was assumed that the law was just but had not been properly applied. The critics therefore demanded that the trial be reviewed and the writers acquitted (because they had obviously not violated the laws under which they have been tried) or at least that their very hard sentsences be reduced" (Shatz, 122)
-first it was petitions
then (Again younger generation)
"At the same time, some younger individuals decided to adopt bolder though still technically legal, forms of protest. Even before the trial itseld, on December 6, 1965, Soviet Constitution Day, some 200 students from the Gorky Institute of World Literature, where Siniavsky worked, had staged a rally in Moscow's Pushkin Square to demand a fair and open trial for the two writers. (This began something of an annual tradition: silent demonstrations in behalf of dissidents hae been held at the same spot on the same day in subsequent years.) THe rally was he first public protest Moscow had seen since the 1920s. (Shatz, 123)
124: trial documents, you're working against us (Socialist realism?)
"THe trials of 1967 and 1968, like the Siniavsky-Daniel trial, generated a series of petitions and open letters to the authorities protesting these new violations of due process and calling for review of the conviction and sentences." (Shatz, 126)
Ginzburg protest-126
"The most conspicuous effort in behalf of freedom of expression-and in retrospect, the highwater mark of the tide of dissent in the late sixties, at least in terms of public assertiveness-was the demonstration in Moscow's Red Square on August 25, 1968...The word 'demonstration' somewhat magnifies what actually occured: seven individuals gathered at noon at the ancient Execution Place in Red Square and unfurled a few hand-letered banners protesting the invasion." (shatz, 127)
"What was so unique about this event was that , for the first time in the history of Soviet dissent, the demonstrators were not protesting a specific case of injustice in the Soviet Union or even an issue that directly concerned them (although in the crushing of the Czech experiment in 'democratic socialism' they percieved a real threat to their aspirations for their own country). The demonstrations in Red Square was purely an act of civic duty and inficidual conscience. This is amply confirmed by the statements of the defendants at their subsequent trial."
Larisa Bogoraz" "I was faced by the choice of protesting or staying silent. Staying silent would have meant for me sharing in the general approbal of actions which I did not approve. STaying silent would have meant lying." - just like Lie essay (Shatz, 129)
128-this trial is how the W. discovers samizdat
Birth of the Chronicle
"Some kind of permanent cohesive organization was essential in order to mount a sustained campaign for civil liberties instead of merely responding to the government's acts of repression; it was also essential if such a campaign were to survive the arrest of individual dissidents by the police. With an organizational base, the scattered and highly vulnerable individuals and circles that had emerged in the late sixties might be able to transform their expression of criticism and protest into a real "movement" on behalf of civil liberties." (Shaztz, 131)
"One of the first, and most successful, of these organizing efforts was A Chronicle of Current Events....A number of other underground journals have made their appearance in the last two decades, some of a literary nature and others devoted to political and social themes. Like the intelligentsia's 'thick journals' of the nineteenth century, they have served as behicles for the expression of a variety of nonconformist ideas, though most of these publications have been of brief duration. The Chronicle was the first one devoted exclusively to dissent itself." (Shatz, 131)
"More broadly, the rise of autonomous public associations represents a new stage of political consciousness on the part of at least some Soviet dissidents. Post-Stalin dissent in its initial phas was limited to moral appeals to the authorities for more humane treatment, and in its seconde phase to peitions and protests against violations of Soviet law and judicial procedure. It did not challenge the authorities' right to rule, nor did it question their legitimacy or demand that they be held accountable for their actions except in a moral sense. But the attempt to create citizens' organizations independent of the Party and state represents a significant break with the paternalistic principle of authority comparable to that achieved by the early intelligentsia at the end of the eighteenth and beginning of the nineteenth century." (Shatz, 135)
Sunday, October 9, 2011
Kenez Vol. 1
Kenez,
Peter. A History of
the Soviet Union from the Beginning to the End. New York: Cambridge University Press, 2006.
"The first days after Stalin's death seemed to justify the fears that only he could guarantee order (Kenez, 185)."
"The character of the Soviet system as it developed under Stalin demanded a single ruler...In any case, they wanted to prevent the rise of another dictator because they feared for their personal security: they had every reason to fear and distrust one another. They had a great deal of practice in internal struggle, backstabbing and hypocrisy. (K, 186)
"From the very outset the leaders of the new regime faced insoluble dilemas: on the one hand, they neither could nor wanted to rule by Stalinist methods; on the other. the could not repudiate the past. These peole after all, had not been innocent bystanders but were heavily implicated in the crimes of the previous era. (K, 190)
"The writing of history was strictly supervised. The problems were delicate: ot was not easy to find a reasonably consistent and authoritative interpretation and stick to it. Books written by historians on some aspects of the Soviet past--such as the revolution, collectivization, the nature of terror, and foreign policy were so misleading and written in such a stilted languages as to be almost unreadable. Although several hundred such books were published each year, the vast majority of them remained unopened. (K, 190)"
"History writing was the voice of the Soviet regime and was therefore heavily controlled. By contrast, the work of artists could be left open to interpretation, coulf be regarded as something contingent. As aresult, writers and filmmakers could get much closer to telling the truth. From the point of view of creative artists, the difficulty was that the line between what was permissible and what was not constantly changed. In one year a writer could achieve success for discussing an issue openly, but next year, a different writer saying more or less the same thing could get into serious trouble. Indeed the singly best indicator the liberalism of the moment was current state of the so-called "Stalin problem." When writers wer allowed to publish works about their past sufferings in the camps, that implied openness, reform , and liveralism' by contrast when Stalin was at least partially rehabilitated and his "historic achievements" stressted, that suffested a turn to conservatism and increased repression (K, 190-191)."
"Immediately after Stalin's death Soviet intellectual life experienced a period that came to be called, after a novella published by Ilia Ehrenburg in earl 1954, the "thaw." By the mid-1950 many of the old restrictions were lifted and every component of Soviet culture benefited. Works produced by writers and film directors reasserted the significance of the individual, the reality of emotional life, and thereby extended the private sphere. (K,191)"
192-changes in Pravda
"The character of the Soviet system as it developed under Stalin demanded a single ruler...In any case, they wanted to prevent the rise of another dictator because they feared for their personal security: they had every reason to fear and distrust one another. They had a great deal of practice in internal struggle, backstabbing and hypocrisy. (K, 186)
"From the very outset the leaders of the new regime faced insoluble dilemas: on the one hand, they neither could nor wanted to rule by Stalinist methods; on the other. the could not repudiate the past. These peole after all, had not been innocent bystanders but were heavily implicated in the crimes of the previous era. (K, 190)
"The writing of history was strictly supervised. The problems were delicate: ot was not easy to find a reasonably consistent and authoritative interpretation and stick to it. Books written by historians on some aspects of the Soviet past--such as the revolution, collectivization, the nature of terror, and foreign policy were so misleading and written in such a stilted languages as to be almost unreadable. Although several hundred such books were published each year, the vast majority of them remained unopened. (K, 190)"
"History writing was the voice of the Soviet regime and was therefore heavily controlled. By contrast, the work of artists could be left open to interpretation, coulf be regarded as something contingent. As aresult, writers and filmmakers could get much closer to telling the truth. From the point of view of creative artists, the difficulty was that the line between what was permissible and what was not constantly changed. In one year a writer could achieve success for discussing an issue openly, but next year, a different writer saying more or less the same thing could get into serious trouble. Indeed the singly best indicator the liberalism of the moment was current state of the so-called "Stalin problem." When writers wer allowed to publish works about their past sufferings in the camps, that implied openness, reform , and liveralism' by contrast when Stalin was at least partially rehabilitated and his "historic achievements" stressted, that suffested a turn to conservatism and increased repression (K, 190-191)."
"Immediately after Stalin's death Soviet intellectual life experienced a period that came to be called, after a novella published by Ilia Ehrenburg in earl 1954, the "thaw." By the mid-1950 many of the old restrictions were lifted and every component of Soviet culture benefited. Works produced by writers and film directors reasserted the significance of the individual, the reality of emotional life, and thereby extended the private sphere. (K,191)"
192-changes in Pravda
Monday, September 19, 2011
Soviet Dissent Notes Part 2
119: Soviet vs. dissident texts
167: German samizdat
181: Jewish samizdat
210: Baptist samizdat
226-228: Pentacostal
269: "Samizdat played an immense role in the spiritual emancipation of Soviet society.
It made possible a change in the life-style of Muscovites and others in the late fifties. Under STalin, when informing had become the norm, unofficial contacts between people had been reduced to a bare minimum. As a rule, two or three families would associate only among themselves, and there were very few homes where many people gathered. After the fear of mass arrests had passed, people three themselves at each other, deriving satisfaction from merely being together. A normal Moscow circle numbered forty to fifty "close friends." Although divided into smaller subgroups, teh entire group regularly gathered for parties that were held on the slightest excuse, and everyone knew everything about everyone else. All these circles were connected with other similar circles and the links led to Leningrad, Novosibirisk and other cities. Everyone gathered around the table imbibed tea and more than tea. Affairs were begun; families formed and broken up. Together everyone sang, danced , and listened to music. Tape recorders had gone on sale, and they were not particularly expensive. They facilitated the distribution of song... (A 269)
270: "Large groups that fostered mutual trust created ideal conditions for the spread of samizdat. Samizdat was probably first circulated within such groups and then spread to various others. Although everyone knew it was necessary to be very careful, few, in fact were. Most people confined their effors to awkward attempts at camouflage, which were often the object of humor (A, 270)"-there's a joke
270: 20th party congress, openness
274: Sinyavsky and Daniel
"It was clear that their arrest had been calculated as a declaration of war on samizdat" on its contributors, distributors and readers. Theirs were the first arrests reported by foreign radio stations broadcasting to the Soviet Union. They referred to Daniel as Danielo and from time to time reported on the indignation of the West: Terts and Arzhak had been translated into several European languages and their books were successful.
These foreign radio reports made everyone aware of the arrests and caused consternation among all those connected with samizdat. Everyone, not just friends and family of the arrested, argued hotly over how the incident would turn out: would the authorities quietly dispose of the arrested or would they put on a "show trial" in the Stalinist tradition in which, somehow, defendents were induced to slander themselves monstrously and even ask to be tried without leniency. Afterwards, would new arrests begin? What would the sentences be? Speculation included death by firing squad. (Experience during the Stalinist period taught that the word "enemy" in the newspaper meant just that.
In this uncertain and anxious environment that the first demonstration in the history of the Soviet regime that was accompanied by human rights slogans took plac in Moscow's Pushkin Square on December 5, 1965. A few days prior to December 5, which was celebrated as Constitution Day, typed leaflets containing a "civic plea" appeared...(A 273-275)"
The doc. is there.
276: Trial of S & D
276: "However, when people left the courthouse, either for a lunch break or at the end of a session, everyone rushed up to the wives of the defendants, who told their friends what was going on inside. Both the correspondents and the KGB could hear them. And every evening reports on the trial and commentary were carried by foreign radio broadcasts. Thanks to this procedure, the West learned about the trial, and especially important, so did people all over the Soviet Union. Thus, future human rights activists discovered the only means available to them to spread ideas and information under Soviet Condition. (A, 277)
277: The White Book, protest Methods
167: German samizdat
181: Jewish samizdat
210: Baptist samizdat
226-228: Pentacostal
269: "Samizdat played an immense role in the spiritual emancipation of Soviet society.
It made possible a change in the life-style of Muscovites and others in the late fifties. Under STalin, when informing had become the norm, unofficial contacts between people had been reduced to a bare minimum. As a rule, two or three families would associate only among themselves, and there were very few homes where many people gathered. After the fear of mass arrests had passed, people three themselves at each other, deriving satisfaction from merely being together. A normal Moscow circle numbered forty to fifty "close friends." Although divided into smaller subgroups, teh entire group regularly gathered for parties that were held on the slightest excuse, and everyone knew everything about everyone else. All these circles were connected with other similar circles and the links led to Leningrad, Novosibirisk and other cities. Everyone gathered around the table imbibed tea and more than tea. Affairs were begun; families formed and broken up. Together everyone sang, danced , and listened to music. Tape recorders had gone on sale, and they were not particularly expensive. They facilitated the distribution of song... (A 269)
270: "Large groups that fostered mutual trust created ideal conditions for the spread of samizdat. Samizdat was probably first circulated within such groups and then spread to various others. Although everyone knew it was necessary to be very careful, few, in fact were. Most people confined their effors to awkward attempts at camouflage, which were often the object of humor (A, 270)"-there's a joke
270: 20th party congress, openness
274: Sinyavsky and Daniel
"It was clear that their arrest had been calculated as a declaration of war on samizdat" on its contributors, distributors and readers. Theirs were the first arrests reported by foreign radio stations broadcasting to the Soviet Union. They referred to Daniel as Danielo and from time to time reported on the indignation of the West: Terts and Arzhak had been translated into several European languages and their books were successful.
These foreign radio reports made everyone aware of the arrests and caused consternation among all those connected with samizdat. Everyone, not just friends and family of the arrested, argued hotly over how the incident would turn out: would the authorities quietly dispose of the arrested or would they put on a "show trial" in the Stalinist tradition in which, somehow, defendents were induced to slander themselves monstrously and even ask to be tried without leniency. Afterwards, would new arrests begin? What would the sentences be? Speculation included death by firing squad. (Experience during the Stalinist period taught that the word "enemy" in the newspaper meant just that.
In this uncertain and anxious environment that the first demonstration in the history of the Soviet regime that was accompanied by human rights slogans took plac in Moscow's Pushkin Square on December 5, 1965. A few days prior to December 5, which was celebrated as Constitution Day, typed leaflets containing a "civic plea" appeared...(A 273-275)"
The doc. is there.
276: Trial of S & D
276: "However, when people left the courthouse, either for a lunch break or at the end of a session, everyone rushed up to the wives of the defendants, who told their friends what was going on inside. Both the correspondents and the KGB could hear them. And every evening reports on the trial and commentary were carried by foreign radio broadcasts. Thanks to this procedure, the West learned about the trial, and especially important, so did people all over the Soviet Union. Thus, future human rights activists discovered the only means available to them to spread ideas and information under Soviet Condition. (A, 277)
277: The White Book, protest Methods
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